Twelve years ago I wrote a short entry about this movie: that it fascinated me. I never understood exactly why. I’ll try to do it in this new blog post.
It’s an American movie starring Paul Giamatti and Bryce Dallas Howard, and the music was composed by James Newton Howard. It was written and directed by M. Night Shyamalan, known for directing The Sixth Sense, Unbreakable, and The Village, among other award-winning and well-known movies. However, Lady is not one of them. Being a financial disappointment, it received negative reviews from critics for many factors. However, one of them surprised me: some considered it a comedy rather than a drama. I recently found an interview to Shyamalan after the 10th anniversary of the movie. Asked the obvious question, he said not only that he loves it, but also that if his house was burning down and he had to grab a few movies, Lady would be one of them.
Continue reading Lady in the Water
“We simplify the problem as much as possible, so we can solve it” (said by a professor today at the university, explaining why our mathematical models have those assumptions).
Actually, many times this idea becomes a philosophy of life.
I just watched a great interview to Ernesto Sábato, an Argentinian writer, author of The Tunnel (among other books), championed by writers like Albert Camus, Thomas Mann, and Graham Greene. After graduating with a PhD in physics, he quits science and communism, and dedicates his life to writing and painting.
A student once asked him about some sociological and historical aspects around another of his books (On Heroes and Tombs). Sábato replied that “a great novel is the one that considers those great characteristics of man: the question about God, loneliness, resentment, envy, love, the problem of death. These aspects are eternal, and that’s what the Ecclesiastes means when it says ‘nothing is new under the sun’; the man’s heart is eternal. All other aspects in a great novel, including sociological and historical ones, are almost a pretext.”
Continue reading For they live reality profoundly