Lady in the Water

Twelve years ago, I wrote a short entry about this movie, saying that it fascinated me. I never understood exactly why. I’ll try to explain it in this new blog post.

It’s an American film starring Paul Giamatti and Bryce Dallas Howard, with music by James Newton Howard. It was written and directed by M. Night Shyamalan, known for The Sixth Sense, Unbreakable, and The Village, among other award-winning and well-known films. However, Lady is not one of them. As a financial disappointment, it received negative reviews from critics for various reasons. One critique surprised me: some considered it a comedy rather than a drama. I recently found an interview with Shyamalan on the movie’s 10th anniversary. When asked the obvious question, he said not only that he loves it, but also that if his house were burning down and he had to grab a few films, Lady would be one of them.
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For they live reality profoundly

I just watched a great interview to Ernesto Sábato, an Argentinian writer, author of The Tunnel (among other books), championed by writers like Albert Camus, Thomas Mann, and Graham Greene. After graduating with a PhD in physics, he quits science and communism, and dedicates his life to writing and painting.

A student once asked him about some sociological and historical aspects around another of his books (On Heroes and Tombs). Sábato replied that “a great novel is the one that considers those great characteristics of man: the question about God, loneliness, resentment, envy, love, the problem of death. These aspects are eternal, and that’s what the Ecclesiastes means when it says ‘nothing is new under the sun’; the man’s heart is eternal. All other aspects in a great novel, including sociological and historical ones, are almost a pretext.”
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